Install this theme

Like a pear?

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Eucci, “Dynoflite Dump"

Eucci, “Dynoflite Dump” | sunhil

My new sounds

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Eucci, “Enammldon"

Eucci, “Enammldon” | sunhil

My new sounds

Lemon ice cream;
Dog curled up in triangle
Of soft September sun.

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Rutherford’s Finest - Stance1

Rutherford’s Finest - Stance1 | sunhil

My new sounds

August Sky

August Sky

Little analog collection.

Little analog collection.

fakecriterions:

True Stories [1986]
An email submission from Jeremy Blum.

I wish this was real.

fakecriterions:

True Stories [1986]

An email submission from Jeremy Blum.

I wish this was real.

Reaching for my MiniAK (Synthesizer)

I bought another synth and am just waiting for it to arrive. I bought the Akai MiniAK after seeing a friend, himself quite an accomplished ‘experimental music’ composer, get quite delighted after purchasing one. I’m also exploring a new collaborative electronic music project, possibly quite club oriented, that may also do some live shows in the future. For myself, I’m interested in doing this without a computer. My laptop is getting quite aged and I don’t have the desire (or funds), yet, to replace the studio iMac with a Macbook Pro that could venture out on occasion while retaining the master keys for my suite of software. Granted, with my software suite, I could do pretty amazing things, but I’m more of a tweaker here than a performer.

I’ve been interested in getting a keyboard synth for a while now. I have a keyboard USB MIDI controller and in theory I could just attach it to my Korg MS2000BR rack mountable module. I have no power adapter for this controller (it prefers USB power and I haven’t bothered looking for an AC adapter for it), and the MS2000BR is cool, but the two pieces of gear together are a bit beefy.

I’ve considered the microKORG, partially for its kitsch value, partially because it is an interesting synth. But it’s essentially the MS2000BR in a toy-ish package, and I already have that engine in a more complete synth. Since I haven’t done much programming with the MS2000BR, I sometimes wish I had bought the microKORG instead. Then again, the programming that I have done with the MS2000BR has produced some nice results.

Recently, after revisiting some half-finished electronic experiments from the past few years, I started reconsidering getting the Alesis Micron. I like the Micron’s visual design and found its sounds interesting, although a bit too clean. The sounds can be easily dirtied up with the plethora of noise gear and MoogerFoogers and Metasonix modules I already have. Then I noticed that the Micron was disappearing from various online resellers, and appeared to have been discontinued. Still, after my friend’s MiniAK purchase and in light of my other desires, I came very close to buying a Micron…

Until I found out that the MiniAK is essentially a re-packaged Micron, with a sturdier Akai Pro body and a (silly) emphasis on the vocoder. I like my MPC500 and plan to have it at the center of whatever the hell I’m building out here.

I guess I finally have to learn (and learn to like) MIDI. I’ve got plenty of disparate pieces, just need to put them together. MS2000BR, MPC500, Electribe EMX-1, and now MiniAK. Plus all my pedals and little analog bits.

And I have my eye on getting a Dave Smith module or two. I’ve been fascinated with the Evolver for a while, and the Mo’Pho and Tetra are pretty damn cool. My big analog modular plan can wait a little while longer.

Throbbing knobs and pulses, undercutting metallic shifts and screams. Analog headbang.
Recorded Spring 2011 by Jeffrey Shell at Eucci Sunhil, in preparation for and recovery from Denver Noise Fest 2011.

Throbbing knobs and pulses, undercutting metallic shifts and screams. Analog headbang.

Recorded Spring 2011 by Jeffrey Shell at Eucci Sunhil, in preparation for and recovery from Denver Noise Fest 2011.

Eucci, Last of the Champagne Epics
Theme of a variation for three players, two pianos, and a continental divide. Recorded Summer 2010-Summer 2011, KCMC + Eucci Sunhil. Multi pass variations of a theme of Paganini.

Eucci, Last of the Champagne Epics

Theme of a variation for three players, two pianos, and a continental divide. Recorded Summer 2010-Summer 2011, KCMC + Eucci Sunhil. Multi pass variations of a theme of Paganini.

acehotel:

This is The Waffle Shop Billboard in Pittsburgh. What if the spaces around us were filled with meaning instead of capitalist drivel?




Awesomeness

acehotel:

This is The Waffle Shop Billboard in Pittsburgh. What if the spaces around us were filled with meaning instead of capitalist drivel?

Awesomeness

Apparently this is what I should shoot. (Taken with instagram)

Apparently this is what I should shoot. (Taken with instagram)